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Description
Description
From observing the world of objects, spaces, people or animals, through self-observation, abstract memories, situations, relationships, biological reproduction and society, introspective approach, expressive experiences and expression of impression persist through all research changes.
Topics
Topics
Still life : If I closed my eyes and tried to see what was in front of me, I would look inside myself. The objects remain, but the world in which they are placed reflects another unknown reality, from which strange forces can emerge at any moment, unrelated to the world I observe with my own eyes
Objects : Objects constitute their own space, a void coloured by their purpose and destiny.
Interiors : I am also what surrounds me. Space found within my own being.
Self-portraits : The attempt to expose a unique feeling that preoccupies my whole person. The need to look myself in the face, to grasp, to admit. The desire to plunge into the painting as into a mirror.
Intimistic paintings: Immersion in an undeserved world.
Art Elements
Art Elements
Colour as an asset - One must push the painting into the depths, immerse it first in an unknown background, so that it can take root there, and only then gradually pull it towards the light, until one reaches full maturity, clear feelings.
Drawing - The brain of an painting.
Light - Either smolders in the dark, or acts as if revealing some truth
Painting - Each movement of the paintbrush must open a single air gap in itself.
Composition - An imprint which has to cohere as an impression.
Process
Process
Idea - Touch in the dark. The density of the dark is tightening and therefore it is necessary to make a movement that will cause the appearance of something, invisible and wrapped in darkness, but still recognizable. So the idea is captured.
Preparation - The idea must be realized as quickly as possible, because there’s an overwhelming desire to discover, to see what's just been touched in the dark.
Stagnation - The picture is set, and in some sense its first round is completed. There is a kind of false satiation, a pause, purely physical satisfaction. There is a period of nothingness, impersonality.
Inspiration - It needs to move away, get out of the world of the picture, even run away, turn your head, go elsewhere. Then, slowly, completely seamlessly, sneak in and peer into that world, and run away again. The idea becomes firm and clear again and should be contemplated so that it has the power to survive until the completion of the painting.
Realization - Be quiet and observe. A painting always begins with silence. Then another good look, blink and approach. It is a secret that lasts until it’s over.
It's over - When a person feels full and tense. It's a moment when the light shines through the whole body. And beyond that light, an infinite darkness awaits, calling us to dive into it with a renewed power of discovery.
Skills
Skills
Mainly oil on canvas, acrylic on canvas, spray, air brush, fluo acrylic and neon acrylic collor, many spatulas, very much brushis, hands, sand, sequins, flour, acrylic, tempera, black ink, charcoal on paper ...
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